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My
instruments feature:
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Highest-quality figured bigleaf or eastern maples, with engelmann or red
spruce tops.
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Traditional compound tapered dovetail necks joints.
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Hot hide glue construction on all structural joints.
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Handmade bridges that I individually
compensate to suit each instrument. I spend a great deal of time
setting up my instruments to ensure that they play well and in tune.
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1/2" by 1/4" carbon fiber neck reinforcement bars instead of
traditional truss rods, unless the customer requests otherwise. The
carbon fiber stiffens the neck more than a truss rod does, and is
considerably lighter. I'll still use a truss rod at no additional
cost for those customers who prefer to have the adjustability.
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Customers’ choice of hardware, color, and binding scheme (and most
other details)
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Hand-stained sunbursts and French-polished varnish. The finishing
process is quite time consuming but results in an extremely thin,
durable film that is acoustically responsive.
Over
time it shrinks and highlights the beauty of the grain, resulting in an
elegance unobtainable with lacquer.
A benefit of buying an
instrument from a small shop is exceptional customer service. One of my
favorite parts of my work is collaborating with customers to bring their
dream instruments to life. I am extremely
flexible because I build on a small scale, and I'm always open to discussing alternative body styles, colors, binding
schemes, etc. I regularly email photos of the construction process to
customers.
I guarantee
the construction and materials of my work for the lifetime of the original owner.
I offer a two-week trial period with a money-back guarantee.
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